Madiʻs artistic practice explores memory as a fluid, ever-shifting relationship between individual and collective experience. Through a balance of abstraction and representation, her paintings resist immediate interpretation, inviting viewers into a slow, reflective act of seeing. Her compositions evolve through a segmented approach, where discrete marks disrupt coherence, mirroring the instability of memory itself—how it fades, accumulates, and resurfaces in altered forms. By constructing images that oscillate between clarity and obscurity, she prompts viewers to consider how their own memories and associations shape their understanding of what they see. In doing so, her work raises broader questions about the nature of connection—how images can serve as bridges between inner worlds, fostering understanding across difference, or, despite our best efforts, remain partially veiled, revealing only fragments of what lies beneath.